Find many great new & used options and get the best deals for Sound of White Noise US Bonus Tracks Remaster by Anthrax (CD, Aug-2001, Beyond) at the best online prices at eBay! Free shipping for many products! Discover, buy and download high quality mp3 music of Sound Of White Noise (Remastered) 2001 by Anthrax at Mp3Caprice. Potters Field 2. Room for One More 4. Packaged Rebellion 5. 1000 Points of Hate 8.
The band's sixth studio album Sound of White Noise (1993), its first with singer John Bush, was its highest-charting album in the US, peaking at number seven and received gold certification. Longtime guitarist Dan Spitz left the band shortly after, and drummer Charlie Benante played most of the lead guitar parts on Stomp 442 (1995) until Paul. Album: 'The Sound Of White Noise' (1993) 1. Potters Field 2. Room For One More 4. Packaged Rebellion 5. 1000 Points Of Hate 8. C11H17N2O2SNA (Sodium Pentathol) 10.
John Bush says that he would be 'open' to the idea of celebrating the upcoming 30th anniversary of ANTHRAX's 'Sound Of White Noise' album by playing a special show with his former bandmates.
Bush fronted ANTHRAX between 1992 and 2005 but was sidelined when the band reunited with Joey Belladonna for a 20th-anniversary tour. When that collapsed, and relationships disintegrated with next frontman Dan Nelson, Bush returned for a time before Belladonna took the job back in 2010.
John discussed his current relationship with ANTHRAX in a brand new interview with the 80's Glam Metalcast. He said (as transcribed by BLABBERMOUTH.NET): 'Me and Scott [Ian, ANTHRAX guitarist], I just saw him recently at [ARMORED SAINT bassist] Joey Vera's house. We had a lot of fun chewing the fat and talking about stuff. It's a good relationship now with those guys. At times, it was a little bit kind of distant, but it's not really like that any longer.'
Speaking about the possibility of some kind of a 30th-anniversary celebration for 1993's 'Sound Of White Noise', Bush said: 'Joey Belladonna is the face of ANTHRAX and the voice of it, and that's his gig, and I'm not looking to get in there again at all. But if [there was an opportunity] here and there to kind of honor [an album anniversary], I'd be supportive of the idea. But the band is secure the way it is and doing very well as is, and I think that's the way it should continue on. But anything is possible for a random show or a song or two. I'd be open to that, because I love those songs.'
Bush temporarily rejoined ANTHRAX for a number of shows in late 2009 and early 2010 but stepped aside in May 2010 in order to make room for the return of Belladonna. Belladonna was the lead singer of ANTHRAX from 1984 to 1992, and was considered part of the band's classic lineup (alongside Dan Spitz, Scott Ian, Frank Bello and Charlie Benante), which reunited and toured during 2005 and 2006.
Although Belladonna did perform the Bush-era song 'Only' live with ANTHRAX on a couple of occasions, the track has since been dropped from the band's set. 'We've got enough songs [that were originally recorded with me on vocals],' Joey explained in a 2016 interview. 'We've got enough material; I don't need to go back. I'd just as soon leave that alone. I mean, once in a while I get people complaining, and then after a while, it got really old too. I hate that whole thing, 'cause we're not even the same… We happened to be in the same band, but it's a completely different thing.'
A year ago, Bush and ANTHRAX drummer Charlie Benante reunited — virtually — to record a quarantine version of the song 'Packaged Rebellion' to celebrate the 27th anniversary of 'Sound Of White Noise'.
Almost every band has that album: you know, the critically and/or commercially reviled dud in an otherwise passable-to-radical back catalog. Well, every Wednesday morning, a Decibel staffer or special guest will take to the Deciblog to bitch and moan at length as to why everybody’s full of shit and said dud is, in fact, The Shit. Today’s submission: Shane Mehling sounds off about Anthrax’s Sound of White Noise.
First off, I’m in no way contending that Sound of White Noise is the only Anthrax record that can be considered a blot on their legacy. But since I don’t personally know a single person willing to defend Stomp 442 (and let’s hope no one comes forward), this is less an attempt to excuse one misstep and more to point out that the band was able to successfully staunch of the flow of suck until 1995.
Now before we start discussing the merits of Anthrax’s Belladonna-free sound, we need to solidify the admittedly dubious but noteworthy distinction this album has over any others: it was packed with hits. While your glinting thrash badge may signal that you can name every State of Euphoria track alphabetically, you and millions of others have at least four SOWN tracks forever imprinted onto your ganglia. (We will get back to these, which you’re remembering right now, and likely humming.)
Released in 1993, three years after Persistence of Time, and roughly a year after going permless by firing Joey, SOWN came out after both Metallica and Megadeth had fully sloughed off their thrash labels and pursued the catchy metal sounds of the “Black Album” and Countdown to Extinction. After Persistence’s more serious, experimental turn, the band could have potentially gone against good business sense and tried to evolve their thrash into something more dense and dynamic. But after their contemporaries became household names, we cant fault them for trying their hand at something more commercial-friendly. And they happened to do a great fucking job.
Opener “Potter’s Field” pretty much lays out the band’s strategy. The first seconds of the song are a gatling drum roll that evolves into a semi-thrash groove, and then come the rock riffs with John Bush’s sneering croon. Even critics of the album have to admit that the majority of songs start out like they’re going to plunder every orifice before the hooks kick in. But while the band focused heavily on verse-chorus-verse, they were able to use the two-guitar attack brilliantly, creating plenty of counter-rhythms, intricate movements and harmonies, while Frank Bello continued to play his bass like a boulder-handed monster. All of this adds to the fullness and cohesive sound of Anthrax, the only band of the Big Four that can sound like a legitimate group of musicians instead of the vision of one or two members.
Now, the record is not without a couple duds. “Packaged Rebellion” and “Invisible” are dreary six-minute cockrockers, and some riffs have not aged well. But the album is surprisingly consistent. The penultimate “Burst” is the most traditional ‘Thrax track, and shows that Bush can easily deliver over speed metal, while “This Is Not an Exit” is an epic conclusion that starts off swampy, like a hulking Down song, and almost falls apart before thrashing off into noise. And this is even without mentioning the four goddamned hit songs, comprising over a third of the album. “Only,” “Room for One More,” “Black Lodge” and “Hy Pro Glo” remain metal classics that outshine the likes of “Sweating Bullets” and “Sad but True.” No less than James Alan Hetfield called “Only” a perfect song, while the opening riff from “Hy Pro Glo” is the aural equivalent of tongue-kissing an IED. “Black Lodge” may be reminiscent of Alice in Chains, but it’s still an off-kilter spaghetti western dirge inspired by Twin Peaks and co-written with Mr. Angelo Badalamenti himself. Maybe for all of these songs you can point to there simply being a sacrifice of shredding for groove, but these are the motherfuckers who brought the noise, and SOWN was still a full year before the advent of nu-metal.
Of course, back then the real criticism of the album wasn’t that it aped rap-rock, but that it ignored its roots and attempted to ride the still-thriving grunge movement. In retrospect, this is much harder to attack because, unlike nu-metal, grunge was a catch-all for a wide range of music that shared few characteristics. And time’s dulled much of this initial anger. Unlike roughly 99 percent of all pimp rockers, it’s not easy to dismiss the young flannels like Soundgarden or Nirvana. Quality of music aside, Anthrax’s use of grunge elements in 1993 made them sellouts, but the blatant worship by Mastodon in 2009 made them “progressive.”
Anthrax Sound Of White Noise Vinyl
So then we’re left with John Bush, a man who in no way can be mistaken for Anthrax’s previous singer. But while the vocals are definitely the mark of a new band, to nail him as some sort of radio-friendly pariah is obviously completely misplaced. The guy was almost in Metallica, and Armored Saint may not be brutal (or good at all), but they’re still trendless old-school heavy metal. If anything, Bush’s vocals are the only thing on the album that didn’t alter with the times and, yes, he is arguably a much stronger singer than his predecessor.
I have no qualms if you prefer Belladonna’s high-pitched frontman cries, but there are more than a few parts on Persistence of Time that show the band simply outpacing him. The opening molten riffage of “Keep It in the Family” is only hindered by the flavorless vocal melodies he floats on top, glamming up the music when he should be getting ugly. After Anthrax decided to get serious and adapt, they were stuck with a relic. But even if you consider that statement high heresy, the video below shows that a SOWN with Belladonna would have been a featherweight version of the original.
https://www.youtube.com/watch?v=8tDWGir8orE
Much of this, of course, comes down to a generational gap. There are many of us who became curious about heavy music at a time when the bassline from “Peace Sells” was more familiar as the intro for MTV News. “Enter Sandman” was played at our junior high proms. As much as it may pain those who actually remember the literal mosh this band was caught in, their previous material sounded under-produced and drab to our virgin ears when placed next to the blunt force of these tracks. While we grew to understand, appreciate and finally fucking love the band’s earlier work, it has not changed the fact that there’s room for one more album on the list of Anthrax’s finest.
Anthrax Sound Of White Noise Remastered Rar Online
Tracklist:
1. Potter’s Field
2. Only
3. Room for One More
4. Packaged Rebellion
5. Hy Pro Glo
6. Invisible
7. Thousand Points of Hate
8. Black Lodge
9. C11 H17 N2 O2 S Na
10. Burst
11. This Is Not an Exit